Automatic Exposure; Three kinds are available: programmed auto exposure, aperture-priority auto exposure and shutter-priority auto exposure.
The variable opening produced by the iris-diaphragm through which light passes to the film plane. Measured in f/stops.
Auto exposure systems wherein the photographer selects the aperture and the camera selects the appropriate shutter speed.
Apochromatic; a type of lens which focuses different wavelengths of light on the film plane for improved image sharpness. Especially useful in telephoto lenses. (Chromatic aberration is corrected).
American Standards Association; (see ISO).
At the B setting, the shutter remains open as long as the shutter release button remains fully depressed.
Take a series of pictures at different exposures.
A layer or multiple layers of thin anti-reflective materials applied to the surface of lens elements to reduce light reflection (flare) and increase the amount of transmitted light.
The general term for pictures taken at relatively close distances, from 1/10 life-size (1:10) to life-size (1:1).
Depth of Field
The range of acceptably sharp focus in front of and behind the distance the lens is focused on.
A series of metal “blades” that can be manipulated to form a larger or smaller opening through which the light is admitted.
The new evolution of the art of photography where images are scanned into an electronic format and then “processed” with software such as Adobe Photoshop.
Code printed on film cartridges providing most new cameras with film speed information.
One piece of glass comprising the internal optics of a lens. (See Group).
Exposure Value; A number that represents available combinations of shutter speed and aperture offering the same exposure effect when scene brightness remains the same. Each EV number can be applied to various shutter speed and aperture combinations.
Light striking a sensitized material (film or paper emulsion).
Modifying the shutter speed and/or lens aperture recommended by the camera’s light meter in order to produce special creative effects or to meet special requirements.
Exposure consisting of a combination of flash and “available light” balanced to produce a pleasing mix of the two.
An ultra-wide angle lens which purposely introduces barrel distortion so straight lines near the edges of the frame appear to curve out.
Image degradation caused by stray light which passes through the lens but is not focused to form the primary image. Often caused by light bouncing off internal air-to-glass surfaces.
The distance from the optical center of a lens to the image plane when the lens is focused to infinity.
An image ratio (width vs the height) that makes the most pleasing, balanced impression on the viewer. Panoramics are long and skinny; square negatives often make it hard for the viewer to recognize the central focus of a composition. A 35mm format is pretty close to a golden retangle.
Two or more elements cemented together within a lens. Lenses are described as having a certain number of elements in a certain smaller number of groups.
The power of a flash in relation to ISO film speed. Guide numbers are quoted in either meters or feet. (To convert from meters to feet, multiply the metric number by 3.3). Guide numbers are used to calculate the f/stop for correct exposure as follows: f/stop=guide number/distance.
In Body Stabilization normally found in mirrorless camera bodies.
International Standards Organization; the number represents the film’s sensitivity to light. A higher ISO number indicates the film is more sensitive and requires less light for a proper exposure.
The variance from “proper” exposure which will still provide acceptable results.
Auto exposure metering where the camera sets both aperture and shutter speed according to data stored in the camera’s built-in memory, comparing the scene to be photographed to reference scenes.
Macro focusing, applied to zoom lenses, moves the lens group(s), enabling the lens to focus closer than the normal focusing distance from close-up shooting.
From the Greek the means “painting or writing with light.”
MA word with many meanings. In digital imaging, it most often refers to the number of pixels per inch in an image file. It can also refer to printer resolution, digital camera CCD resolution, etc. In traditional photography, if refers to the ability of a lens or photographic material to reproduce small details and is measured in lines per millimeter.
Rule of Thirds
How fast the camera’s shutters open. Determines how long the film is exposed for.
When the photographer selects the shutter speed and the camera automatically sets the corresponding aperture.
Single Lens Reflex; a camera with one lens (as opposed to Twin Lens Reflex like the Rolleiflex) that involves a mirror and prism that the viewer looks through (as opposed to a point and shoot or rangefinder where the viewer looks through a separate viewfinder.
A guideline that states that you can expose a normal scene, lit by bright sunlight, at an aperture of f16 and a shutter speed equivalent to the film speed (ISO or ASA) being used.
Through-the-lens; commonly used when referring to metering through the lens as opposed to via a separate meter. Effective for fill-flash and other tricky lighting situations.
Electronic Optical System; Canon’s current line of autofocus cameras and accessories.
Evaluative, through-the-lens flash metering.
UltraSonic Motor; Canon’s fastest, quietest autofocus lens mechanism.
Lens with built-in autofocus drive motor. CPU is also built in. AF-I Nikkor lenses send information on distance to the camera body and are classified as D-type AF Nikkor lenses.
Automatic index; Nikon’s system for telling the camera’s exposure meter what the lens’ maximum aperture is.
Nikon’s: Creative Lighting System (Nikon Speedlights).
Nikon’s: Crop sensor camera designation, with a crop of 1.5 times ie: 50mm full frame lens becomes a 75mm len on the DX camera body.
Nikon’s: Automated Focus Stacking.
Nikon’s: Lens Vibration Reduction (VR).
Used in Manual (M) mode, one of the slowest shutter speed.
Used to create composite images of multiple subjects (ie Fireworks) on one frame with each exposure acting independently.
Pro Capture High
ProCapH – Two parts to capturing a burst of images – with shutter pressed halfway down camera will capture a continuously replaced series of up to 35 images. When shutter fully depressed camera keeps last 35 images and continues capturing up to 60fps until shutter is released.
Pro Capture Low
ProCapL – Similar to ProCap H but when shutter button
fully depressed continues capturing up to 18fps until shutter is released.